More Metal Dolls and other Fine Things

We finally have a beautiful, sunny day where we are not being steamed like dumplings! I have been participating in plannning craft get-to-gethers, and will, of course, find ways to incorporate dolls and miniatures. I was eyeing my snapdragons and remembering a Kimport article promotoing dolls made from the dried seed pods of these flowers. I am still fighting the squirrels for my outdoor miniature terrariums, too. I recently renewed my library card, and find it helps with stress to visit our closest branch to look for my favorite mystery writers. This week, I found Barbara Collins and Joanne Fluke. I love reading the so-called "hobby" and antiques series which include Deb Baker, Laura Childs, Monica Ferris, Margaret Grace, Sharon Fiffer, Tamar Myers, and several others. I am also enamored of Mary Kay Andrews, and the "darker" stories of Elizabeth George, Patrica Cornwell, Tami Hoag, Minette Walters, Colin Dexter, and R.D. Wingfield. These, of course, are merely the tip of the ice berg. Below, another excerpt from the Metal Doll Book. I hope you enjoy it, and that you find a time to find me on Twitter and Facebook. Till next time:

Conclusion: What Next?

I love history! Dolls are history. They have had an impact on life throughout time, from emotional youngsters
getting one as a gift to impacting whole economies . . .

Jim and Joan Radke, JnJ Dolls

In an allusion to the legendary statue of Memnon and the theory that Ancient Egyptian statues had souls, Rilke has written that dolls were fed and made alive through children's imagination like the "Ka" of the Egyptians is fed on imaginary food.
Some doll makers, however, were not content with inanimate dolls that only lived through the power of a child's imagination. They strove to make dolls so lifelike that they could actually imitate human movement and sound. Formanek-Brunell and Kuznets would have us believe that there were serious gender differences among doll makers, and that male toy makers saw the dolls they made as extensions of both themselves and the machines that they created. Thus, even female dolls had male anatomy and characteristics, and like their creators, they were made of hard, efficient substances. These tiny human impostors were not meant so much for love, as durability.
In any case, the doll, as cultural artifact, is our "double," the other which both repels and attracts us. It perplexes us that something so "dead," can also be so alive, and that something the modern world has relegated to the toy box can have such a rich and complicated history.
Dolls will continue to be made as long as there are human beings to conceive of new designs for them. They will continue to reign predominantly in the children's realm, though individual adults and museums will still collect them as tangible artifacts of human history, miniature representations of humanity for their respective ages.
Metal dolls, while still not prized in most important collections, may have the richest history of all. From the golden idols of the Inca and Aztecs, to the toy soldiers of lead and silver and the Minerva and Juno heads of the last century, metal dolls could form a fascinating collection in themselves. It is hoped that this book will inspire others to take up the "iron" gauntlet and add to the dialog that I hope this research has created. Until then, to all who are interested in doll history and doll collecting, Happy "Dolling," with love from Tin Lizzie.
November 1999, The Eve of the Millennium