Children of Japan

Children of Japan
Courtesy, R. John Wright

The Jumeau 201

The Jumeau 201
Courtesy Theriault's and Antique Doll Collector Magazine

Hinges and Hearts

Hinges and Hearts
An Exhibit of our Metal Dolls

Google+ Followers

Tuxedo and Bangles

Tuxedo and Bangles

A History of Metal Dolls

A History of Metal Dolls
Now on Alibris.com and In Print! The First Book of its Kind

Alice, Commemorative Edition

Alice, Commemorative Edition
Courtesy, R. John Wright

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Emma, aka, La Contessa Bathory

Emma, aka, La Contessa Bathory
Her Grace wishes us all a Merry Christmas!

Annabelle

Annabelle

Emma Emmeline

Emma Emmeline
Our New Addition/fond of stuffed toys

Cloth Clown

Cloth Clown

Native American Art

Native American Art

the triplets

the triplets

c. 1969 Greek Plastic Mini Baby

c. 1969 Greek Plastic Mini Baby
Bought Athens on the street

Iron Maiden; Middle Ages

Iron Maiden; Middle Ages

Sand Baby Swirls!

Sand Baby Swirls!
By Glenda Rolle, courtesy, the Artist

Glenda's Logo

Glenda's Logo
Also, a link to her site

Sand Baby Castaway

Sand Baby Castaway
By Glenda Rolle, Courtesy the Artist

A French Friend

A French Friend

Mickey

Mickey
From our friends at The Fennimore Museum

2000+ year old Roman Rag Doll

2000+ year old Roman Rag Doll
British Museum, Child's Tomb

Ancient Egypt Paddle Doll

Ancient Egypt Paddle Doll
Among first "Toys?"

ushabti

ushabti
Egyptian Tomb Doll 18th Dynasty

Ann Parker Doll of Anne Boleyn

Ann Parker Doll of Anne Boleyn

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Tin Head Brother and Sister, a Recent Purchase

Tin Head Brother and Sister, a Recent Purchase
Courtesy, Antique Daughter

Judge Peep

Judge Peep

Hakata Doll Artist at Work

Hakata Doll Artist at Work
From the Museum Collection

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Japanese Costume Barbies

Japanese Costume Barbies
Samurai Ken

Etienne

Etienne
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From "Dolls"

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Dr. E's on Display with sign

Dr. E's on Display with sign

Dolls Restored ad New to the Museum

Dolls Restored ad New to the Museum
L to R: K*R /celluloid head, all bisque Artist Googly, 14 in. vinyl inuit sixties, early celluloid Skookum type.

Two More Rescued Dolls

Two More Rescued Dolls
Late Sixties Vinyl: L to R: Probably Horseman, all vinyl, jointed. New wig. R: Effanbee, probably Muffy, mid sixties. New wig and new clothing on both. About 12 inches high.

Restored Italian Baby Doll

Restored Italian Baby Doll
One of Dr. E's Rescued Residents

Dolls on Display

Dolls on Display
L to R: Nutcrackers, Danish Troll, HItty and her book, Patent Washable, Mechanical Minstrel, Creche figure, M. Alexander Swiss. Center is a German mechanical bear on the piano. Background is a bisque German costume doll.

A Few Friends

A Few Friends
These dolls are Old German and Nutcrackers from Dr. E's Museum. They are on loan to another local museum for the holidays.

Vintage Collage

Vintage Collage
Public Domain Art

The Merry Wanderer

The Merry Wanderer
Courtesy R. John Wright, The Hummel Collection

The Fennimore Doll Museum

The Fennimore Doll Museum

Robert

Robert
A Haunted Doll with a Story

Halloween Dolls Displayed in a Local Library

Halloween Dolls Displayed in a Local Library

The Cody Jumeau

The Cody Jumeau
Long-faced or Jumeau Triste

German Princesses

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A Little PowerRanger

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Monday, May 21, 2012

Tidbits

It says free to share, but the host is not generous to us Yanks:

W R I T I N G W O R L D A World of Writing Information - For Writers Around the World http://www.writing-world.com Issue 12:10 13,183 subscribers May 17, 2012 ***************************************************************** MANAGE YOUR SUBSCRIPTION: See the bottom of this newsletter for details on how to subscribe, unsubscribe, or contact the editors. ***************************************************************** IN THIS ISSUE: ================================================================= THE EDITOR'S DESK: Whether to Be Rich, Enriched, or Enriching... by Moira Allen THE WRITER'S DESK: Resale Rights, by Moira Allen NEWS FROM THE WORLD OF WRITING WRITING JOBS AND OPPORTUNITIES FEATURE: 7 Reasons Why Writers Should Blog, by Jennifer Brown Banks THE WRITE SITES -- Online Resources for Writers WRITING CONTESTS WITH NO ENTRY FEES The Author's Bookshelf **************************************************************** WRITERSCOLLEGE.COM has 57 online courses. Prices are low. If you can reach our web site, you can take our courses. http://www.WritersCollege.com ***************************************************************** WRITE FOR CHILDREN. Achieve your dream of becoming a published author. Writing books and stories for children is a great place to start. Learn the secrets 1-on-1 from a pro writer. Train online or by mail. Free Test offered. http://www.writingforchildren.com/H2676 ***************************************************************** THOUSANDS OF WRITERS USE FANSTORY.COM FOR: * Feedback. Get feedback for every poem and story that you write. * Contests. Over 40 contests are always open and free to enter. * Rankings. Statistics will show you how your writing is doing. http://www.fanstory.com/index1.jsp?at=38 ***************************************************************** DON'T GET SCAMMED! Choose the right Self Publishing Company for your book. What you need to know before choosing a self publishing company and the questions you should ask. http://dogearpublishing.net/self-publishing-companies.aspx ***************************************************************** EARN TOP DOLLAR WITH SKILLS YOU ALREADY HAVE... And Finish Your Novel, Too! What if this year you could honestly call yourself an author because you could support yourself and your family? Details Here: http://www.awaionline.com/go/index.php?ad=592721 ***************************************************************** FROM THE EDITOR'S DESK ================================================================= Whether to Be Rich, Enriched, or Enriching... --------------------------------------------- I've just finished one of those "how to get rich" books, and it seems to have brought out my inner curmudgeon. The book was "Rich Dad, Poor Dad," by Robert Kiyosaki -- and if wealth is your goal, I honestly can't say that I recommend it. It did make one point I agree with, however: That the U.S. educational system (and, I assume, the educational systems of most of the rest of the world) do not prepare people for independent thinking, but rather, trains folks to be employees whose primary purpose is to build wealth for OTHER people. Kiyosaki describes this, appropriately, as "the rat race" -- and it's certainly the rat race that many of us became freelance writers to avoid. What kept me grumbling throughout the book, however, was the persistent emphasis on a single goal: Making more money. To Kiyosaki, it would seem, building wealth is all -- wealth for himself, wealth to pass on to his children. And by "wealth" he means, simply, money. As a writer, I can't help but think that this is a limited, and rather sad, perspective on life. "Wealth" is a word that has been used, historically, to mean far more than the amassment of material riches. Can we be wealthy, without being rich? I suspect that if the majority of folks who consider themselves "writers" chose this profession, or avocation, with the sole purpose of amassing material wealth, the readership of this newsletter would be down to about two. Not that there aren't plenty of us seeking to earn a living through our words. But most of us, I think, didn't choose writing as a tool to make loads MORE money than, say, data entry or real estate. Most of us chose it because we found a wealth in words that outweighs the wealth of a steady paycheck. I suspect that most of us became writers because we recognized how, throughout our lives, we have been enriched by words. We were the oddballs in school who actually LIKED books. We looked forward to reading; in fact, our parents and teachers probably despaired of ever getting us to STOP reading. "Put down that book and go outdoors and play!" we were told. (How many of us "complied" by smuggling a book outdoors with us?) Our peers regarded us as nerds, brainiacs, social outcasts -- but we'd already discovered a world so far beyond that which our peers valued that we didn't care (much). Books became our friends, our doorways to worlds real and imagined, our inspiration. They made us rich in spirit. Gradually, as we began to spin our own words, we realized that what we had received, we could also give. Through our words, we could influence, inspire, and inform. Through articles, stories, poetry and books, we could enter do for others what generations of authors, past and present, had done for us. WE could enrich the world with OUR words, just as our own worlds had been enriched by the words of others. Does it matter, in the long run? Let's try a little test. First -- quickly, now! -- rattle off the names of, say, ten or twelve of the richest men of the 19th century. No peeking at Wikipedia! OK, we have Rockefeller, DuPont, Astor, Schwab, Morgan, um... hang on... There were lots more, surely! (And I'm sure you probably came up with a longer list, or a different list, from mine.) Now... Quickly, again, rattle off the names of, say, a dozen great AUTHORS of the 19th (or even 18th) century. Again, no peeking at Wikipedia. Was it difficult to hit a dozen? Did you want to just keep on going? Did names come thick and fast? Twain, Dickens, Austen, Irving, Pushkin, Doyle, Harte, Bronte (plural), Sand, Eliot, Thackeray, Hugo, Baum, Carroll... Doesn't the list just go on and on? Again, you probably came up with a different list, a longer list... and that's precisely the point! Another interesting point: Money can only be measured in terms of money. One speaks of the "richest" men, not the "best" rich men or the "greatest" rich men. But when one speaks of authors, one speaks of the best, the greatest, the most inspiring, the most inspired. And here's yet another point: Money is measured in terms of quantity, i.e., who has the most? But greatness can be attained without extinguishing someone else's lamp. The greatness of Jane Austen doesn't diminish the greatness of Charles Dickens, or of Mark Twain, or of Arthur Conan Doyle. Likewise, it won't diminish yours, any more than yours will diminish theirs. Ironically, in the introduction to his book, Kiyosaki DOES list some of the richest men of America in the early 1920's, and then points out that by the end of the Depression, most of them were dead, many having committed suicide. (Another bit of irony is quite a number of the 19th century's richest men, and at least one famous author*, died on the Titanic...) It's a good illustration of the hard truth that if material wealth is all, then losing it truly means losing all. I'm certainly not saying that we, as writers, should not strive toward material gain. I'm not one of those who believes that to be paid for our words is, somehow, to have "prostituted" our art. I've always regarded that attitude as the excuse of someone who has no real interest in enriching others but prefers to say, "My work is so brilliantly obscure no one can appreciate it but me." On the contrary, I believe "the laborer is worth of his [and her] hire." There's absolutely nothing wrong with being materially enriched by a skill that brings so much into the lives of others. What I'm suggesting, and I suspect I'm preaching to the choir, is that while we are happy to earn the coin, we're in this for a great deal more. Those who are simply "rich" may make a splash in the here-and-now, but are quickly forgotten in the pages of history. Those who ENRICH are remembered, often for centuries -- even if they lived as paupers. And these are tough times for many authors, times when assignments and paychecks can be few and far between. Yet it's exactly at such times that we need to remember why we started down this road in the first place: Because we were far more interested in sharing the wealth of the rainbow than in hoarding the pot of gold. Every time you write something that helps someone learn, grow, heal, change, or simply smile, you've made someone's life richer. There's money and there's wealth -- and as a writer, you're storing up treasure that moth and rust cannot destroy. *Jacques Futrelle, if anyone is wondering. -- Moira Allen, Editor Copyright 2012 Moira Allen ***************************************************************** THESE TWO FREE ISSUES ARE YOURS TO KEEP Read by over 1,000 children's book and magazine editors, this monthly newsletter can be your own personal source of editors' wants and needs, market tips, and professional insights. Get 2 FREE issues to start. http://www.thechildrenswriter.com/AY347 ***************************************************************** The Writing Desk: Resale Rights ================================================================= By Moira Allen Can I resell stories I previously sold with no contract? -------------------------------------------------------- Q: I wrote a continuing series of stories for a magazine, which they published and paid me for. I never was given or signed any contract, nor was anything mentioned about who owned the rights. Now I would like to sell the story series as a book. Is this permissible? Legal? Can the original publisher sue me? Should I ask their permission? A: Without a written contract to establish a publication's ownership of rights, rights are assumed to rest with the author. A publication cannot claim or assume to claim all rights, or some specific bundle of "extra" rights (such as anthology rights or electronic rights, which would be implied by the use you describe) without some form of prior agreement with the author. Nor can such an agreement be established after the fact -- i.e., after you've already sold the articles. A contract must precede a sale, as it is considered the agreement upon which a sale is based. Since you were not an employee of the magazine, they cannot claim that the material was "work for hire." Even if they have a policy statement listed somewhere (e.g., in their writers' guidelines) that claim particular rights, this is not necessarily legally binding (though at that point the magazine could claim that you "knew" of this policy before submitting material). In this case, you should not need to ask permission, as you hold the copyright to your articles. When no rights transfer is specified, you are assumed to have sold "first" or "one-time" rights, which leaves you the right to resell the material later. Out of courtesy, you may wish to note in your collection that these articles originally appeared in X magazine, but you don't need permission. If you feel uncomfortable about the magazine management's reaction, you may wish to let them know what you are doing, but not in such a way that could be construed as "asking permission." As for "could they sue?" -- Well, yes, anyone can sue if they want to, whether there is a legal basis or not. It would be unlikely, however. More probably, if they are really hardnosed, they might send you a letter from their lawyer saying that you shouldn't do this -- and the best response is to simply hire a lawyer for the purpose of answering that letter legally, spelling out your rights etc. But it is unlikely to come to that. The key to remember is that if you don't transfer rights in writing, you own them. Can I resell the original version of an article that was changed by the editor, even though I sold all rights? ------------------------------------------------------------------- Q: I recently wrote a piece for another magazine and sold all rights. The piece underwent drastic editing and the story that was published under my byline bore little resemblance to my original work. Can I legally sell the piece I wrote originally, since it's nothing like the piece they ran? In general, how much revision is necessary if you're reselling an idea that you've already written about? For example, can you use the same sources with different quotes? A: Yes, you can use the same sources; you can even use the same quotes. Basically, the idea is that the piece "looks" different enough that one would think it is not the same article. Just cutting often isn't enough; sometimes it's best to at least put a somewhat different slant on the piece. There's a difference here between "all rights" and "work for hire." All rights simply means that you have relinquished the rights to that piece, as it was written. However, you still retain the copyright itself. When you sell a work-for-hire piece, you are relinquishing your copyright as well -- and so you're in a little more danger if you try to write a similar piece. If you write a piece that is similar to one you sold for "all rights," the only copyright you might be infringing is your own -- i.e., even if you just went through and revised the article line-by-line, you'd only be infringing yourself. But if you did the same thing with a work-for-hire piece, you could be liable for infringing the copyright of the company that you sold the material to, because even though you wrote it, they own not just the article but the copyright as well. The issue of "how different is different enough" is very difficult to resolve. Again, essentially, it's "would you think this is a different article, on the same subject?" Or would the reader feel that he has read it somewhere else, with just a little different wording? (For more thoughts on the "how different is different enough" question, see my editorial of April 5, 2012 - "The 20% Solution," at http://www.writing-world.com/coffee/coffee40.shtml) Copyright 2012 Moira Allen *************************************************************** AUTHOR SITES FOR LESS gives authors a virtual home without breaking the bank. Choose from a variety of author-specific, classy, and tailor-made templates starting at $399. We offer a choice of three plans. Our set-up enables you to update your site without needing a developer. Social media pages also available. Please visit http://www.authorsitesforless.com ***************************************************************** NEWS FROM THE WORLD OF WRITING ================================================================= Are Writers About To Become Obsolete? ------------------------------------- This is an interesting but also scary news item from Wired magazine concerning a computer algorithm that is already being used to generate news stories. For more on this story, visit: http://tinyurl.com/7txfscv British Book Seller Against Libraries Lending eBooks ---------------------------------------------------- This follows on in a very scary way from last issue's editorial by Moira. Apparently the Managing Director of Waterstones, a large chain of book stores in the UK, thinks that eBooks should not be lent by libraries as this will damage the book-selling industry. For more on this story visit: http://tinyurl.com/7hrpz3l Simon & Schuster Brings Back Pocket Star Books ---------------------------------------------- Pocket Books was America's first mass paperback publisher and now Simon & Schuster have brought back the imprint Pocket Star, but this time as an eBook-only imprint. Pocket Star will continue to feature bestselling and debut authors in popular genres including women's fiction, romance, thrillers, urban fantasy, and mystery. For more on this story visit: http://tinyurl.com/czgh6d4 ***************************************************************** EVERYHING YOU NEED TO KNOW ABOUT SETTING FREELANCE FEES! Find out how to negotiate agreements, choose pricing strategies, define tasks, deal with difficult customers, and much more in the award- winning "What to Charge: Pricing Strategies for Freelancers and Consultants" (2nd Edition) by Laurie Lewis. In print and Kindle from Amazon at http://tinyurl.com/setyourfees ***************************************************************** Writing Jobs and Opportunities ================================================================= Reporter, Staff Writer and Bloggers Needed at CMN.com ----------------------------------------------------- The Consumer Media Networks is currently seeking an experienced freelancer for the role of full-time reporter, another for the role of staff writer and also bloggers for the categories of education, home improvement, insurance and car maintenance. To find out further information about these positions and to apply visit: http://www.cmn.com/careers/ YA Science Fiction Wanted ------------------------- Underwords is now accepting submissions for our next project, Futuredaze: An Anthology of YA Science Fiction, a science fiction anthology for teens, young adults, and the young at heart. We're looking for fiction and poetry that sparks the imagination, twists the heart, and makes us yearn for the possibilities of a world yet to come. At a time when every other YA book features vampires, werewolves or other fantastical creatures, Futuredaze will be an anthology for the next generation of science fiction readers. We're looking for hard science fiction, soft science fiction, and everything in between. Think Jules Verne, Isaac Asimov, George Orwell or Ray Bradbury with a YA focus. While we adore fantasy, Futuredaze is not the right anthology for fiction or poetry based in worlds where magic or the supernatural are the driving forces. For more information visit: http://tinyurl.com/cbuoslo ************************************************************** A FREE MASTER CLASS IN CREATIVE WRITING SUCCESS. Enroll FREE in a 14-part 'mini course' in short-story writing success. This highly acclaimed Writers' Village 'Master Class' shows you how to get published - profitably - and win cash prizes in fiction contests. Discover how to open a chapter with 'wow' impact, add new energy to a scene, build a character in moments, sustain page-turning suspense even through long passages of exposition... plus 97 additional powerful ideas you can use at once. Enjoy the course without charge now at: http://www.writers-village.org/writing-success **************************************************************** AFFORDABLE NATIONAL PUBLICITY FOR AUTHORS Need interviews or your book reviewed by national media, but horrified by expensive publicists? Read our important letter at http://www.1waypr.com/WriterAuthor-B3.html ***************************************************************** FEATURE: 7 Reasons Today's Writers Should Blog to Build Their Platforms and Their Bottom Lines! =============================================================== By Jennifer Brown Banks Once upon a time in a far-away land, writers who were skilled with penning their thoughts and crafting clever story ideas could write their own tickets. Being "good" was simply good enough. 'Dem days are gone. Fast forward. A tough economy and the relative ease of making money online has changed the game. The talent pool is larger. The bar is higher. The industry has changed. I was faced with this sobering reality back in 2006, when an editor with whom I had worked for quite some time as a columnist suggested that I write a self-help relationship book. So I eagerly put together a few chapters, mailed it off, and envisioned my guest appearance on Oprah. Much to my surprise, when I submitted it to a New York agent for potential representation, she wrote back, "You have obvious talent as a writer, but not a big enough platform." Ouch. Back in my day "platforms" were sexy shoes that added height to our stature and jiggle to our strut. Hello? I had been writing for over a decade, had made thousands of dollars, and had no real concept of why I needed a platform and how to get one. Enter blogging... Before I share with you WHY blogging is important to building a platform, let's define platform as it relates to the publishing world. A "platform" refers to an author's following and fan base. Ideally it should include more than your mom and members at church. Publishers and agents use it as a basis for determining your reach, and for potential book sales. For example, it could include people who are members of your writers' groups, your college sorority, folks on your job, subscribers to your newsletter, or blog followers. Here's how Blogging can help to elevate your platform and your bottom line! 1. It increases your visibility. Websites are static; blogs are not. Their very nature and constant updates means that Google will pick your blog up through "crawlers" and reflect them higher up in search engine listings. The easier you are to find, the more potential eyes to view your work. Additionally, blog posts are often Tweeted and shared through popular social media sites. Here's a case in point. I have been writing professionally for more than a decade. Comparatively, I have been blogging "seriously" for a little under three years. Google lists my blog posts first, above all my former publishing credits. 2. It helps to hone your voice. Unlike other genres of writing, blogging has few rules and restrictions. As such, writers can speak in a conversational tone, court controversy, experiment with different forms of expression, try their hand at humor, and discover what works best for their style, preference and personality. Blogging also allows you to address a multitude of topics, which can build your portfolio and your knowledge base. 3. It makes you more versatile as a writer. Search any of the current job boards for writers, and blog jobs are abundant. Regardless of your genre of specialization, having blogging skills simply makes you more marketable to editors, potential clients, and publishers. (Think along the lines of the value of speaking multiple languages.) Since my career in blogging started, I have blogged for businesses, dating sites, and online magazines. And you can too. 4. It creates more networking opportunities through guest posting. Guest posting is when a blogger writes a piece for another blog site, upon approval. Oftentimes this fosters working partnerships, mutual admiration, and future collaborative projects with fellow bloggers. It promotes good karma to boot. 5. It requires less research and typically takes less time than other genres. As they say, "Time is money." Usually blog posts run from 300-800 words, which means that good writers can construct posts relatively quickly, and work on more projects in a shorter span of time, increasing overall efficiency. Consider too that it can help to prevent burnout. 6. It can be more profitable than article-writing. Experience can vary. But depending upon the client, the nature of the project, and your blogging skills, pay can be around a hundred bucks for a 500-700 word post. 7. Blogging helps to develop a "thick skin". If you have difficulty with dealing with editors' rejections, blogging can help you to handle criticism and feedback better in your professional career. The interactive nature of blogging allows readers to express their views right on the spot, in the form of comments. Sometimes audience members can be like "hecklers" are with comedians. Comments can be cruel and unfair. But, it comes with the territory, and calls for the savvy blogger to "take the high road" and not personalize things. Here are a few Do's and Don'ts to go the distance: 1. Recognize that success as a writer today requires more than facility with words; it's about being strategic and smart. As such, do consider the many benefits blogging has to offer, and strive to add value to the blogging community. 2. Don't mistakenly believe that because blogging is considered informal writing, you should take a less than serious approach, or that your writing can be inferior in quality. Blogging can make or break your online image. 3. Study the habits and techniques of successful bloggers in your niche. What's their appeal? Their style? Their advice? Assess then apply. 4. Don't be discouraged if your blogging doesn't take off right away. It took me three attempts and several years before I got it right. "If at first you don't succeed..." 5. Newbies will find blogging platforms like Blogger.com and Wordpress to be easy to follow, with attractive designs and templates. Tutorials can be found online to master the learning curve. Blogging has become the new black. Even real estate tycoon, Donald Trump has his own "virtual spot." Don't miss out on the opportunity to make the most of your writing career. Blog your way to a bigger platform and bigger paydays with these timely tips. >>--------------------------------------------------<< Jennifer Brown Banks is a veteran freelance writer, Pro blogger, and relationship columnist. Her guest posts and articles have appeared at award-winning sites such as: Pro Blogger, Daily Blog Tips, Technorati, Funds for Writers, and Men With Pens. She is also a Ghost Writer, providing web content and blog posts for busy professionals. Visit her site at Penandprosper.blogspot.com/ Copyright 2012 Jennifer Brown Banks For more advice on blogging check out: http://www.writing-world.com/freelance/blogs.shtml **************************************************************** EBOOK SELF-PUBLISHING EXPLAINED An epublishing revolution is sweeping the industry. We explain what is happening and show you how to self-publish your own eBooks. http://www.PublishYourOwnEbooks.com ***************************************************************** SERIOUS ABOUT WRITING? Join the National Association of Independent Writers and Editors, the professional association with a career-building difference. We partner with you to create a strategic online presence with genuine credibility. You get a free NAIWE-linked website (and more) so you'll be where people come to find writers. Join us today at http://naiwe.com! ***************************************************************** THE WRITE SITES ================================================================= All the World's our Page ------------------------ This is a fascinating blog on novel-writing written by five different authors from very different genres and from different parts of the world. This site is packed full of some useful advice and is well worth a visit. http://alltheworldsourpage.blogspot.co.uk/ Write Crime Fiction ------------------- This is a very useful blog on crime-writing and crime fiction by David J Montgomery, which features interviews with crime writers as well as general writing tips. http://www.crimefictionblog.com/ Andy Maslen Copywriting Training -------------------------------- If you're new to the world of copywriting, or just want to improve your skills, check out this amazing resource rich site for copywriters. http://www.sunfish.co.uk/index.html ***************************************************************** IT'S HERE! COMPLETELY UPDATED AND EXPANDED FOR 2012, Moira Allen's "Writing to Win: The Colossal Guide to Writing Contests" is now available. This is the largest, most comprehensive guide to writing competitions available in print (and Kindle). The 2012 edition features over 1600 contest listings for writers worldwide - including over 450 listings new to this edition. No matter where you live or what you write, you'll find a competition that's right for you! The guide is updated with the latest deadlines, entry fees and prizes. Get it now at https://www.createspace.com/3778183 or visit Amazon.com to order the Kindle edition. NOTE TO KINDLE USERS: I just got my Kindle Fire and found that there seemed to be format issues with the Kindle version of "Writing to Win" that appeared only on the Fire. I have just reformatted the book; if you have already purchased it, the revised version should upload automatically in the next few days. ***************************************************************** WRITING CONTESTS ================================================================= This section lists contests that charge no entry fees. Unless otherwise indicated, competitions are open to all adult writers. For a guide to nearly 1600 writing contests throughout the world, see Moira Allen's book, "Writing to Win: The Colossal Guide to Writing Contests" (http://www.writing-world.com/bookstore/index.shtml). RICHARD J. MARGOLIS AWARD ------------------------ DEADLINE: July 1, 2012 GENRE: Nonfiction DETAILS: This contest offers stipend and one-month residency at Blue Mountain Center in the Adirondacks for a promising new journalist or essayist whose work combines warmth, humor, wisdom and concern with social justice. Submit at least two articles PRIZES: $5000 stipend URL: http://award.margolis.com/ PETER BLAZEY FELLOWSHIP ----------------------- DEADLINE: July 2, 2012 GENRE: Nonfiction OPEN TO: Australian writers with a nonfiction work-in-progress. DETAILS: Submit CV, publishing credits and at least 5000 words of the work in progress. PRIZES: Aus $15,000 and one-month residency at the Australian Centre. The residency includes access to office space and facilities, but does not include accommodation. URL: http://tinyurl.com/82qoykp MCLAUGHLIN-ESSTMAN-STEARNS FIRST NOVEL PRIZE -------------------------------------------- DEADLINE: July 15, 2012 GENRE: Books OPEN TO: US novelists who have had their first novel published in the previous 12 months. DETAILS: Submit three copies of the book PRIZE: $500 URL: http://www.writer.org/page.aspx?pid=927 JERWOOD ALDEBURGH FIRST COLLECTION PRIZE ---------------------------------------- DEADLINE: July 23, 2012 GENRE: Poetry OPEN TO: Poets whose work has been published in Great Britain or Ireland in the previous calendar year. DETAILS: Submit published poetry book of at least 40 pages in length. PRIZE: £1000 URL: http://www.thepoetrytrust.org/jerwood-first-collection-prize/ LITRO & IGGY INTERNATIONAL YOUNG PERSONS SHORT STORY AWARD ---------------------------------------------------------- DEADLINE: July 24, 2012 GENRE: Short Stories OPEN To: Children aged between 11 and 19 years. DETAILS: 3000 word max short story on an international theme. PRIZES: £2,500 and publication URL: http://www2.warwick.ac.uk/study/iggy/news/litro_iggy_international/ LANDFALL ESSAY COMPETITION -------------------------- DEADLINE: July 31, 2012 GENRE: Non Fiction OPEN TO: New Zealand citizens and permanent residents. DETAILS: One essay, maximum 6,000 words on any theme. 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